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And Lorentzon is just trying to get the biggest payday he can, while keeping the rutting egos of young coders in check. Hansson stakes her legal career on trying to get Spotify off the ground. Ek is desperate for Spotify to rip control away from the music industry and democratize music itself. Time is ticking and money is running out, and all the while the key players are wrestling with their demons. One of Spurrier and director Per-Olav Sørensen's key achievements with The Playlist is making sure the stakes remain high as the narrative unfolds.
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It's a constant livener and a very clever trick from Spurrier, who turns material so dry it'd spontaneously catch fire into a series of endless juicy morsels. They all get the limelight, they all get their lonely friend request and they all give their individual flavor to the show. We then see through the eyes of industry figures, specifically Per Sundin, the CEO of Sony Music and later Universal Music in Sweden, and then episodes from Lorentzon, key lawyer Petra Hansson, coding whizzkid Andreas Ehn, and singer Bobbi T.Įach episode ends with the passing of the baton to the next key player, continuing the story's momentum. We first follow Ek, the surly tech genius with no people skills.
We see the story of Spotify from six perspectives. His disdain for the larger music industry is played out in a number of explosive meetings, but he's not the focus of everything.Īndreas Ehn tries to find the magic formula for Spotify (Image credit: Netflix) He's brash, often unpleasant and very cutting with his staff members.
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They're the rebel in a hoodie in a room full of suits, yawning and throwing paper airplanes while the grown-ups talk about intellectual property, a constant source of tantrums and outbursts of righteousness, an endless source of conflict.Įk, who is now worth between two and three billion and made a bid to buy Arsenal Football Club last year, does play that role to an extent. Wannabe tech billionaires are a gift to screenwriters. To dig into the character of the man who turned the music industry on its head, to find his insecurities, just as Aaron Sorkin did to Jesse Eisenberg's Zuckerberg when he left him alone in a meeting room sending a friend request to Rooney Mara's Erica Albright, the ex-girlfriend whose dumping spurred him into action. The instinct when writer Christian Spurrier, whose credits include procedurals like Spooks and Silent Witness, sat down to transform Carlsson and Leijonhufvud's book for the screen, must have been to build everything around Ek. We watch as the battle to win hearts and minds and open wallets commences. Trouble is, the music industry doesn't want to play ball and won't give them access to their songs, which will render the service pretty much useless.
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Together they recruit a crack team of coders and designers and set about changing the world. He presents the idea to entrepreneur Martin Lorentzon, the man who bought his last business.
Clean up the experience to make a fast, easy-to-use and dynamic music player that doesn't need users to have files on their own devices. The story needs to be concise, intriguing and well-paced, and you need impetus from the get-go.Įk sees an opportunity. Regardless of how irresistible the characters seem on paper, however outlandish their exploits are, and irrespective of the gigantic consequences of their actions, you still need to get the basics right.
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For every brilliant retelling, like David Fincher's masterful look at Zuckerberg in The Social Network, you get Apple TV Plus' WeCrashed, a glossy, expensive, but ultimately hollow drama that descended into caricature from its earliest scenes. The fact that we're so used to seeing these stories also means our standards have gotten higher. And Mark Zuckerberg is about to get his second prestige biopic as Showtime's Super Pumped focuses on Facebook, having recently told Uber's origin story. Anna Delvey is still in prison for her widescale fraud, but her infamy has already been put on screen with Inventing Anna. Elizabeth Holmes has yet to be sentenced for her crimes in the scandal about Theranos, but she's already had her own miniseries with Hulu's The Dropout.
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